Standing in the lobby of London's Savoy hotel, pregnant and with a crying bundle in her tattered shawl, Dublin woman Florrie Kavanagh must have attracted some disdainful looks.
A combination of desperate poverty and daring had brought her here. While she waited to hear whether she would be seen, she would have cried a little herself and tried to quieten the child. And, most of all, she would have reasoned with herself: this was the Fifties and babies were abandoned all the time. Better to be left in the plush suite of a Hollywood film star than in some dire orphanage or at a railway station.
Florrie, like everyone else in London, had heard the news. Jane Russell, the "moody, mean and magnificent" Queen of Hollywood had swept into town and was looking for a young addition to her family. On the front page of the paper that morning there had been just two huge photos. One showed a smiling Winston Churchill, who had just been re-elected Prime Minister. The other showed the bejewelled screen goddess with the caption: "Miss Russell in London to adopt baby boy."
Years before, Florrie had moved to England in search of a better life, but things had not been easy. She already had three small children and was living in a shabby, tiny house in south London with no working toilet inside. She and her husband Michael, also from Ireland, were struggling to make ends meet. This latest baby, Tommy, left her young family on the brink, and with one more on the way she had few other options. She had heard of rich Americans adopting children back home and had read that Jane Russell was devoutly religious. Florrie told herself she was securing her little boy "a place in heaven".
In ordinary circumstances, of course, an Irish church mouse with a crying baby would have had no chance of getting in the orbit of an imperious film deity such as Russell. The actress had starred alongside Marilyn Monroe in Gentlemen Prefer Blondes and, together with Lana Turner and Rita Hayworth, embodied the sensuously contoured "sweater girl" look. With her topaz-coloured eyes and perfect figure, she represented what one publicist described as "lust, desire and everything that good boys are not supposed to think about". She was one of the biggest stars in the world.