In the raw and unflinching drama Earth Mama, Olympian-turned-director Savanah Leaf centres a woman fighting to get her kids out of an oppressive system
Eleven years ago Savanah Leaf competed at the London games as a member of Team GB’s first ever Olympic volleyball team. But to hear the London-born, Oakland-raised film-maker tell it now, that was nothing compared to the pressure of making her first feature film. “It was really tough,” she says to the Guardian. “At times I was looking around like, damn, how are we going to finish today?”
That A24-stamped indie – Earth Mama – hits US theaters this weekend after a warm reception at the Sundance Film Festival. And, well, “tough” is definitely one way to sum up this 100-minute heart render. Another: Gia, a pregnant single mother, is straining to recover from past drug use and the two small children put in foster care as a result, and barely has strength remaining to keep pushing.
Gia is bogged down inside a crappy apartment with her call-girl sister, stuck working a soul-crushing job at a mall portrait studio staging portraits with newborns and young moms. She has to endure case workers giving her a hard time about being late to supervised visitations, and for not sacrificing enough time to participate in reunification programs. She seems fated to end up like too many Black woman left to fend for themselves in Oakland’s concrete jungle. And yet she keeps going. “She’s definitely an Olympian, too” says Tia Nomore, who plays Gia. “A street Olympian. Shorty is jumpin’ through hoops, OK? She’s absolutely persevering.”